The first weekend of
May I attended the New England Society of Children’s Book Writers and
Illustrators conference in Springfield, CT.
It was, in one word, amazing!
But, I want to talk about the low point, or shall I say, turning point
for me.
I have spent much of the past three
years working on a young adult chapter book.
Last fall I completed the rough draft - about 120 pages. During January and February, I combed though
it adding more depth and detail to my characters and scenes. Then, in March, I attended the Whispering
Pines. I took part in a YA critique
group; afterwards I decided my characters would be better suited in the middle
grade category. So, I printed out the
entire 143 pages, pulled up my sleeves and grabbed a pen and proceeded to cut
and slash my way through the manuscript changing and tweaking. Yes, I thought, this was going to be great!
Then, about two weeks later, something
strange happened. Maybe it was the
change in temperature, maybe the pollen began tickling my brain but I decided
that this was not the book for me. I
didn’t have the energy to put anymore into it.
I needed to write something else.
I had to, heavy sigh, begin
the process again!
But I was OK with that. I’ll go to the conference, get a ton of new
inspiration and become a writing machine!
Oh, wait, I have that critique on Saturday. A moment of dread hit me. Just a moment,
though. Then I realized, if she did not
like, no worries, I wasn’t working on it anymore. Then, I thought, what if she liked it? Well, I’d just have to cross that bridge when
I got there…
She didn’t like it. She gave me a very straightforward, a bit
rough critique. ‘I want to hear more about the main character, don’t include dream
sequences, they’re cliché.’ I
explained to her where I was with the book.
‘Great. You’ve proved you can write a book, now move
on. This is not the book for you. Use this character in another book.’ We went on to have a constructive
conversation about what was selling, what kids want to read, and a variety of
story ideas. I left satisfied. I had received confirmation. This was not the book for me.
There’s just one problem now. What is
the book for me? Advice from published
authors says, ‘Don’t write for trends.
Write the book you want to write.’ I
certainly have a lot of ideas. Therefore
I’ve been dabbling. When an idea comes
to me, I jot it down. I might spend a
few days on it, but then something else creeps in. I haven’t written one draft and I’m not
worried. I’m still writing, and that is
most important. I am moving on.
Moving on from something I worked so
hard (and long) on is frustrating, maddening, scary, and a huge hit to my
ego. I feel so much lighter and free to
write what I want now! Moving on brings
new opportunities that may have been missed.
So, my advice to you, try it! You
never know!!
Yes, it could be time to take a break from this one or move on... but your writer's voice is strong. I predict some great things are just around the corner:) Also, so glad to hear about the 3 notebooks, you go girl!
ReplyDeleteI had a similar realization about that darn PB that I kept tweaking and dragging around like a security blanket. At the same conf a year ago I asked a presenter, "how do you know when to call it quits with a ms?" and her answer was, "well, how much heartbreak can you take?"
ReplyDeleteGood for you! Learn, grow, move on. Still, I do love Taryn and don't want her hidden in a drawer forever!